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Who is Fergus Kilpatrick?

22 Apr

Who is Fergus Kilpatrick? Image courtesy of thecompanyireland.com

Following its award winning debut (Spirit of the Fringe award) at the Dublin Fringe festival in 2009, Who is Fergus Kilpatrick has returned to Dublin and set up residency in the Project Arts Centre. The faceless and rather elusive title character, in a work devised and produced by The Company, will leave you still questioning in fact who really is Fergus Kilpatrick, But it will also leave you questioning the reality of performance, the reality of theatre and even the validity of documented history. 

While being described by The Company as ‘non-theatre’ and  the piece having been created with the deliberate intention of avoiding theatre, you can already see the challenges and questions that this work throws out to an audience coming to see a ‘play’ in a theatre. The piece opens with a documentary being screened on the life of Fergus Kilpatrick, a rebel in early 19th century Kerry. The audience quickly realises the documentary is in fact a work of fiction and addresses questions of who we are, where our lineage has brought us and how our oral tradition of memories and storytelling has often left gaps and inaccuracies in the historical narrative of the story of our country and also of our families. 

Image courtesy of thecompanyireland.com

This work tightly embraces the aid of digital technology and painstaking video and sound editing and blatantly flaunts the presence of pre-recorded scenes and interviews with the cast as a tool for telling the story of how the Fergus documentary came to be. The audience is often left struggling to determine if it is the cast on stage speaking or in fact a video screening. It becomes apparent that the real direction of this work is to challenge what exactly is ‘live’ in theatre. 

Clever devices are implied, such as pre-recorded and humorous interviews with cast members describing their characters and the preparation in finding themselves in each character. The deliberately over-the-top and ham acted scenes, mimicking the rehearsals of this work are described as being devised by asking each cast member to act out one another’s character, thus resulting in a “heightened version of each cast member’s personality and traits.” 

Creator of this work and its director Jose Miguel Jimenez said “it challenges the continual presence of history and challenges the truth in history and in performance and challenges a prescribed present by removing the connection between history and truth by emphasising the role of who writes history. Everyone has a different view of history and different version of a story. Where is the definite truth in all this?” 

Scene from "Who is Fergus Kilpatrick". Image courtesy of Dublin Fringe Fest, Flickr.

The story of Who is Fergus Kilpatrick has strong base in a short story by Argentine writer Jorge Luis Borges, entitled The Theme of the Traitor and the Hero published in 1944. Though this work by the Company is not a direct adaptation of the story by Borges, the story acted as a facilitator for the work Who is Fergus Kilpatrick. The framework of truth and believed conceptions of what we know to be reality are dismantled on stage before us. Again heavily influenced by the writing of philosopher Jacques Derrida and Jean Baudrilliard, one can also see the presence of French surrealist Antonin Artaud who wrote The Theatre and Its Double in the 1930s. Artaud argued that the act of performance and the presence of theatrical energy lies in the theatre space and with the audience as much as it does on stage.  The ‘double’ of theatre and its mirror image that Artaud mentions is the residual memory that remains in any production space and also with the audience members long after a performance and it is that history which forms a legacy and memory that can be altered or lost in each retelling of the story. 

Jimenez states that the views of Derrida, Baudrilliard et al on “the interaction between the real and illusory in contemporary societies created in us a new interest in theatre: we thought that the relationship between these two concepts relates to the very nature of theatre. We see theatre as the right medium to articulate the arguments between real and illusory since, without doubt, this is the base of any theatrical event.” 

This documentary of misinformation and questioning of history again asks us who we all are and questions our history and certainly leaves one particular questioning hanging over the audience, Who, exactly, is Fergus Kilpatrick? 

 Who is Fergus Kilpatrick runs at the Project Arts Centre until 24 Apr 2010. 

For details visit: http://www.projectartscentre.ie/programme/whats-on/908-who-is-fergus-kilpatrick

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